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  • Albin Egger-Lienz, Finale, 1918 © Collection Leopold II
  • Egon Schiele, One-Year Volunteer Lance-Corporal, 1916 © Leopold Museum, Vienna, Inv. 1418
  • Anton Kolig, Captain Boleslavski, 1916 © Leopold Museum, Vienna, Inv. 171 © Bildrecht, Vienna, 2014
  • Title page of the magazine "Der Ruf" (special war edition "Krieg", November 1912)  showing a 1910 self-portrait by Egon Schiele (detail) © Private collection, Vienna
  • Egon Schiele, Liegende Frau, 1917 © Leopold Museum, Wien, Inv. 626
  • EGON SCHIELE, Levitation (»The Blind« II), 1915 © Leopold Museum, Vienna, Inv. 467
  • EGON SCHIELE, »Blind Mother«, 1914 © Leopold Museum, Vienna, Inv. 483
  • EGON SCHIELE, »Sick Russian«, 1915 © Leopold Museum, Vienna, Inv. 3639
  • EGON SCHIELE, Packing Room, 1917 © Leopold Museum, Vienna, Inv. 1416
  • ALBIN EGGER-LIENZ, Danse Macabre (version IV), 1915 © Leopold Museum, Vienna, Inv. 195
  • ALBIN EGGER-LIENZ, Northern France 1917, 1917 © Private collection
  • Oskar Kokoschka, Self-Portrait, One Hand touching the Face, 1918/19 © Fondation Oskar Kokoschka/Bildrecht Wien, 2021
  • Oskar Kokoschka, The Principle (»Liberté, Egalité, Fratricide«), 1918 © Leopold Museum, Wien, Inv. 2441 © Fondation Oskar Kokoschka/Bildrecht, Wien 2014
  • Oskar Kokoschka, Projecting Weapon in Covered Position, 1916 © Schwarze Kreide, Farbkreide auf Papier, 32,2 × 48,2 cm / Black chalk, colored chalk on paper Leopold Museum, Wien, Inv. 4674 © Fondation Oskar Kokoschka/Bildrecht, Wien 2014
  • Oskar Kokoschka, Fortuna, 1915 © Private collection © Fondation Oskar Kokoschka/Bildrecht, Wien 2014
  • Gustav Klimt, Standing Female Nude with Tilted Head. Study for »Adam and Eve«, c. 1917 © Leopold Museum, Wien, Inv. 1321
  • Hans Strohofer, Caricature with Three Kings (from left to right: Nicholas of Montenegro, Peter of Serbia, Victor Emmanuel of Italy) © Leopold Collection II
  • Koloman Moser, Lovers, c. 1914 © Collection Leopold II
  • John Quincy Adams, Poster for the war exhibition of the Imperial and Royal Kriegspressequartier in Graz © ÖNB, Wien / Vienna, Inv. KS 16305093
  • Postcard series: »The Warrior‘s Dream«, postcard to Josef Ungericht © Andreas Gamper, Village Tyrol
  • Paola De Pietri, Monte Fior (from the series To Face), 2009-2011 © Courtesy Paola De Pietri/Alberto Peola, Turin/Galerie Les Filles du Calvaire, Paris
  • Veronika Dreier, Carpet (detail), 1994 © Veronika Dreier, Graz/Kulturamt der Stadt Graz
  • Franz Kapfer, »For God, Emperor and Homeland«, 2009 © Verein Tiroler Landesmuseum Ferdinandeum, Innsbruck
  • Dmitry Gutov, View the Bourgeoisie through Lenin’s Eyes, 2007 © Private collection
  • Raluca Popa, Male Nude (from the series »The Sublime Trip«), 2011 © Private collection
  • Rasa Todosijević, »God Loves the Serbs«, 2013 © Private collection
  • Marko Lulić, Sarajevo '84, 2014, Schriftskulptur an der Fassade des Leopold Museum April bis September 2014 © Leopold Museum, Wien
  • Marko Lulic, Scripture installation "Sarajevo '84" © Leopold Museum, Wien
  • Veronika Dreier © Leopold Museum, Wien
  • Paola de Pietri © Leopold Museum, Wien
  • Raluca Popa © Leopold Museum, Wien
  • GUSTAV KLIMT, Death and Life, 1910/11, reworked in 1912/13 and 1915/16 © Leopold Museum, Vienna, Photo: Leopold Museum, Wien

And yet there was art!
Austria 1914–1918

09.05.2014 - 15.09.2014

The assassination of the Austrian heir to the throne, Archduke Franz Ferdinand, on the 28th of June 1914 in Sarajevo was the fatal trigger of World War I. One hundred years on, the Leopold Museum is dedicating a comprehensive exhibition to the fate of Austrian artists who were active between 1914 and 1918.

The war experiences of Egon Schiele, Albin Egger-Lienz and Anton Kolig provide the starting point for the exhibition. »I am a soldier now and have just lived through the hardest 14 days of my life« Schiele wrote in 1915. During his military service he painted Russian prisoners of war as well as his superiors. Anton Kolig reported from the war zone in 1916: »I am painting in great distress«. Albin Egger-Lienz, meanwhile, pondered the »unyielding stride of eternal fate« on the Italian frontline. While war painters depicted the horrors of war, large-scale art exhibitions were organized in Austria and in neutral countries abroad. Even at the height of the war, Kolo Moser painted works of intense coloring. At the same time, Gustav Klimt worked on his female portraits, allegories and late Attersee landscapes. When Klimt died in February 1918, Schiele drew the artist on his deathbed. In October of the same year he captured his fatally ill wife Edith. Both succumbed that same month – shortly before the end of the war – to the Spanish Flu.

Selected works by contemporary artists from Italy, Romania, Russia and Serbia – the countries that Austria-Hungary fought on the frontlines during World War I – create a connection to the present. Presented in the exhibition are 200 works, 40 of which hail from the collection of the Leopold Museum, 30 from the Leopold Collection II and 130 from public and private Austrian and international lenders. The historical objects are complemented by contemporary art interventions.
 

Curators:
Elisabeth Leopold, Ivan Ristić, Stefan Kutzenberger

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