Tabs

  • Ausstellungsplatkat "Kokoschka - Das Ich im Brennpunkt" (Detail) © Leopold Museum, Wien / Fondation Oskar Kokoschka/VBK, Wien 2013
  • WENZEL WEIS, Oskar Kokoschka with shaved bald head, 1909 © ÖNB / Wien, Pf 2783: D
  • Oskar Kokoschka, “Pietà”. Poster for the play „Murderer, the Hope of Women“ at the “Internationale Kunstschau“, 1909 © Leopold Museum, Vienna, Inv. 2673
  • OSKAR KOKOSCHKA, Portrait Herwarth Walden, 1910 © Staatsgalerie Stuttgart © Fondation Oskar Kokoschka/VBK, Wien / Vienna 2013
  • Oskar Kokoschka, Poster for a Lecture at the »Academic Association for Literature and Music« © Fondation, Oskar Kokoschka / VBK Wien, 2008, Inv. Nr. 2973
  • Der Maler und sein Modell II, 1923 © Saint Louis Art Museum, Bequest of Morton D. May 910: 1983 (c) Fondation Oskar Kokoschka/VBK, Wien 2013
  • Oskar Kokoschka, Alma Mahler and Oskar Kokoschka, 1913 © Leopold Museum, Vienna, Inv. 4667
  • Oskar Kokoschka, The Croci - Dolomite Landscape, 1913 © Leopold Museum, Vienna
  • OSKAR KOKOSCHKA, Self-Portrait at the Easel, 1922 © Leopold, Private Collection, © Fondation Oskar Kokoschka/Bildrecht Wien, 2018
  • HENRIETTE MOOS, Oskar Kokoschka’s Alma doll as Venus, 1919 © Private Collection, Courtesy Richard Nagy Ltd., London
  • Oskar Kokoschka, Self-Portrait, One Hand Touching the Face, 1918/19 © Fondation Oskar Kokoschka/Bildrecht Wien, 2021
  • HUGO ERFURTH, Oskar Kokoschka, 1919 © Private collection © VBK, Vienna 2013
  • OSKAR KOKOSCHKA, Self-Portrait from two Sides, 1923 © Museum der Moderne Salzburg © Fondation Oskar Kokoschka/VBK, Wien / Vienna 2013
  • RENÉ BURRI, Oskar Kokoschka in front of the painting Self-Portrait from two Sides in Villeneuve, c. 1955 © Universität für angewandte Kunst Wien / University of Applied Arts Vienna, Oskar Kokoschka-Zentrum © René Burri/Magnum Photos
  • Exhibition catalogue to Entartete »Kunst«, Munich © Universität für angewandte Kunst Wien / University of Applied Arts Vienna, Oskar Kokoschka-Zentrum
  • OSKAR KOKOSCHKA, Prague, View from the Moldova Pier IV, 1936 © The Phillips Collection, acquired 1938 © Fondation Oskar Kokoschka/VBK, Wien / Vienna 2013
  • Oskar Kokoschka blickt vom Balkon seines Ateliers in Prag auf die Moldau, im Hintergrund die Karlsbrücke, 1936, Foto: verm. Olda Palkovska, © Universität für angewandte Kunst Wien, Oskar Kokoschka Zentrum
  • ANONYMER FOTOGRAF, Olda Palkovská running © Universität für angewandte Kunst Wien / University of Applied Arts Vienna, Oskar Kokoschka-Zentrum
  • Oskar Kokoschka und Olda Palkovska, London 1939, Foto: Trude Fleischmann © Universität für angewandte Kunst Wien, Oskar Kokoschka-Zentrum
  • OSKAR KOKOSCHKA, Federal President Theodor Körner as Mayor of Vienna © LENTOS Kunstmuseum Linz © Fondation Oskar Kokoschka/VBK, Wien / Vienna 2013
  • BILDERDIENST DER PRESSESTELLE DER STADT WIEN, Oskar Kokoschka portraying Mayor Theodor Körner at the Vienna town hall, with city councelor in charge of cultural affairs Viktor Matejka in the background, 1949 © Universität für angewandte Kunst Wien / University of Applied Arts Vienna, Oskar Kokoschka-Zentrum © Wiener Stadt- und Landesarchiv, Fotos des Presse- und Informationsdienstes
  • OSKAR KOKOSCHKA, Salzburg, 1950 © Bayerische Staatsgemäldesammlungen München – Pinakothek der Moderne © Fondation Oskar Kokoschka/VBK, Wien / Vienna 2013
  • WERNER WELZ, Oskar Kokoschka entering Hohensalzburg Castle during the opening of the International Summer Academy, to the right the art dealer Friedrich Welz © Universität für angewandte Kunst Wien / University of Applied Arts Vienna, Oskar Kokoschka-Zentrum © Welz, Salzburg
  • BILDERDIENST DER PRESSESTELLE DER STADT WIEN, Oskar Kokoschkas arriving at the Vienna airport © Universität für angewandte Kunst Wien / University of Applied Arts Vienna, Oskar Kokoschka-Zentrum © Wiener Stadt- und Landesarchiv, Fotos des Presse- und Informationsdienstes
  • Earl Seubert (Schubert), Oskar Kokoschka rauchend als Gastdozent an der Minneapolis School of Arts, USA 1957 © Universität für angewandte Kunst Wien, Oskar Kokoschka-Zentrum
  • SVEN SIMON, Oskar Kokoschka and Konrad Adenauer in front of Kokoschka’s portrait of Adenauer, Cadenabbia near Como, Italy, 1966 © Universität für angewandte Kunst Wien / University of Applied Arts Vienna, Oskar Kokoschka-Zentrum © Fotoagentur Sven Simon
  • SVEN SIMON (eigtl. Axel Springer jr.), »Brandstifter Oskar Kokoschka« (›Arsonist Oskar Kokoschka‹), 1967. Reproduced in: Eltern, no. 1, with photographs by Sven Simon © Universität für angewandte Kunst Wien / University of Applied Arts Vienna, Oskar Kokoschka-Zentrum © Fotoagentur Sven Simon
  • OSKAR KOKOSCHKA, Double Self-Portrait Oskar and Olda Kokoschka, 1963 © Kokoschka, Vevey / Museum der Moderne Salzburg © Fondation Oskar Kokoschka/VBK, Wien / Vienna 2013
  • ANGELIKA SPIELMANN, Oskar und Olda Kokoschka, Villeneuve, 1980 © Universität für angewandte Kunst Wien / University of Applied Arts Vienna, Oskar Kokoschka-Zentrum

Kokoschka
The Self in Focus

04.10.2013 - 27.01.2014
Extended until 03.03.2014

An exhibition in cooperation with the Oskar Kokoschka-Zentrum of the University of Applied Arts Vienna

With "Kokoschka - The Self in Focus", the Leopold Museum dedicates to one of the most significant 20th-century Austrian artists an exhibition that will for the first time give a prominent place to photographs from Kokoschka’s life.

Oskar Kokoschka (1886–1980) is doubtless one of the most important protagonists of modernism. His oeuvre as a painter and graphic artist, as well as dramatist, essayist and stage designer, is enormous and has an established place in the histories of both art and literature.

Up to this point, there has existed very little awareness of the fact that Kokoschka’s life and works were also documented by a multitude of photographs. Around 5,000 photos have been preserved even just in the artist’s estate, which is now held by the University of Applied Arts Vienna. These photos will now be published for the first time, in a selection featuring scholarly commentary. Photos from Kokoschka’s occupational and private circles communicate a rich and intense artistic life, while at the same time they represent a piece of 20th-century history both in terms of cultural developments and in general.

Scholarly work on these holdings gave rise to the idea of a joint exhibition project of the Leopold Museum and the Oskar Kokoschka Centre of the University of Applied Arts.

Back

Share and follow

  • Teilen per E-Mail