Egon Schiele, Self-Portrait with Chinese Lantern Plant, 1912 © Leopold Museum, Vienna, Inv. 454

  • Portrait of Egon Schiele © IMAGNO/Öst. Volkshochschularchiv
  • Egon Schiele, Portrait of Wally Neuzil, 1912 © Leopold Museum, Vienna, Inv. 453
  • Portrait of Egon Schiele © IMAGNO/Austrian Archives
  • Portrait of Egon Schiele from 1915 in front of his mirror in his Hietzing Atelier, in the background the painting "Death and Girl" © Privatbesitz (Foto: Johannes Fischer)
  • Egon Schiele, Moa, 1911 © Leopold Museum, Vienna, Inv. 2310
  • Egon Schiele, Edith Schiele in a Striped Dress, Sitting, 1915 © Leopold Museum, Vienna, Inv. 4147
  • Egon Schiele, Crescent of Houses II, 1915 © Leopold Museum, Vienna, Inv. 456
  • Egon Schiele, Cardinal and Nun, 1912 © Leopold Museum, Vienna, Inv. 455
  • Egon Schiele, Reclining Boy (Erich Lederer) © Leopold Museum, Wien, Inv.Nr. 1408
  • Egon Schiele, »Self-Seer« II (»Death and Man«) © Leopold Museum, Wien, Inv.Nr. 451
  • Egon Schiele, Poem "A Self-Portrait", 1910 © Leopold Museum, Vienna, Inv. 4495
  • Egon Schiele, Poem “Wet Evening”, 1910 © Leopold Museum, Vienna, Inv. 4493
  • View of the Egon Schiele-Room © Bildit
  • View of the Egon Schiele-Room © Bildit
  • View of the Egon Schiele-Room © Bildit
  • View of the Egon Schiele-Room © Bildit

Egon Schiele

With 41 paintings and 188 works on paper the Leopold Museum is the largest and most prominent collection with works of Egon Schiele worldwide.

When Egon Schiele died in 1918 at the age of only 28 year of the Spanish flu he was seen as being one of the most important artists of his time. During the turmoil of the following decades he was more and more buried in oblivion until he completely disappeared into thin air after being judged as “degenerate art”. When Rudolf Leopold saw works by Egon Schiele at the beginning of the 1950s he immediately recognized their quality, emotionality and technical bravura could absolutely be compared to the Old Masters. The life of the young eye doctor changed radically. From now on he entirely devoted himself to collecting and trading art. Many Schiele paintings and drawings were on sold on the free market at the time and even quite affordable even though they were not that cheap: a large-sized oil painting pretty much had the same price as a new car. Compared to the many million Euros that one would have to pay for them today this is nothing. Rudolf Leopold made significant contributions to the international esteem in which he is held today.

Besides the oil paintings and graphic works the Leopold Museum also houses the Egon Schiele-Documentation Centre that is dedicated to research on Schiele’s work and also holds numerous autographs. For the first time the lyricist work of Schiele dawns on a broader audience.

Schiele as lyricist
While Schiele was quite popular for his paintings and drawings in his lifetime, his poetic work was unnoticed for a long time although his expressionist lyricism is indeed quite important. The originals of Schiele’s poems belong in large part to the Leopold collection. Many letters and poems were almost designed as graphic works of art by Egon Schiele. The topics are similar to those depicted in his paintings: those are personal visions with the greatest expressiveness, colorfulness and directness. Unusual word combinations and wird coining, gramatically incomplete phrases and graphically positioned hyphens coin this so unusual atmospheric language. For instance Schiele wants  „to taste dark water“, „see wild air“, „build white clouds“ oder he creates „rainbow foam“, foot race alleys“ or a „wind winterland“. His hard pressed soul that finds expression in his artistic world also breaks out eruptively in his lyricist work: „Excess of life“ and „agony of thinking “ are just as present as dark forces: „demons! – brake the violence! – your language, - your signs, - your power!“, proclaims Egon Schiele. The range of his contradictory feelings culminates in the paradoxical and final finding: „Everything is lively dead“.

Since paper works are very light sensitive, all different kinds of drawings, water color works and prints cannot be exhibited permanently. Besides special exhibitions where paper works are exhibited temporarily, the art works are preserved at the depot of the museum and are not publicly accessible. We apologize for the inconvenience and kindly ask for your understanding. If you are interested in a particular paper work, please feel free to ask at the museum if it is currently exhibited.

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